It's said that the most important part of your audio's quality comes from your recording environment. Any voice over artist worth their weight in salt has, through either ingenuity, monetary means, or a combination of both, figured out a way to acoustically make the most of the space they have to work with in order to record quality, competitive audio. On a not-as-related note - is salt even worth that much anymore? You may hear varying values assigned to mic quality vs. en

...and watched auditions don't get heard. At least that's the conclusion I've come to. Conventional wisdom in the voiceover and voice acting ethos is that it's bad practice and wasted energy to see if any auditions you've sent have been listened to, marked as shortlisted, etc. Checking doesn't change the outcome. If you get it, you get it. Once you've sent it off, it's now off your plate, off your shoulders, and the ball is in somebody else's court. ...except I still like t